Randy Newman Discography Rar Download
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Randy Crawford Discography Flac Part Rar Files Downloads. Paruyr sevak siro masin. Randy Crawford Don't Say It's Over 1993 Taylor Swift Deluxe Discography 2006-2014 Randy Newman - 12 Songs (1970 us, outstanding blend of jazz blues and country rock, 2010 Audio Fidelity HDCD). Randall Stuart 'Randy' Newman (born November 28, 1943) is an American singer-songwriter.
By Randy Newman is best known for his satirical character studies. You’ve heard them, of course: “Rednecks,” “My Life is Good,” “Political Science.” They’re portraits of deluded narrators who cling desperately to an outmoded or unpleasant or immoral idea: racism or narcissism or jingoism. Those songs succeed by illustrating how people rationalize their own monstrosity. These are the Randy Newman songs that get the most ink, because they demand the highest level of critical intervention. And people just love to intervene in those songs. Many years ago, in college, I took a class on vernacular American humor, and I wrote a paper on “Rednecks,” and specifically about how the song shifts in the middle from the redneck perspective (“Last night I saw Lester Maddox on a TV show / With some smart-ass New York Jew”) to a broader social critique that implicates that redneck perspective (Newman lists all the urban ghettos in which African-Americans are “free to be put in a cage”). The teacher was a grad student who had long hair and glasses and cited Lyotard in casual conversation.
I don’t remember a tremendous amount about the class, but I do know that it seemed at times labored, if well-intentioned, and that it cured me of thinking too much about Newman’s comic mechanism. As much as I enjoy his most Mephistophelean rhetorical moves (it’s difficult to overestimate the pleasure of a surgical strike like “I Just Want You To Hurt Like I Do,” in which Newman lays bare one of the most basic of human needs), I leave it to others to compare him with Twain and Stephen Foster and Melville’s Confidence Man.
I leave it to others to speculate on what it meant for Newman, in 1970, to sing the explicitly racist “Underneath the Harlem Moon” (which posits a sentimental brand of racism, but racism nonetheless) or, for that matter, to release “Yellow Man” during the Vietnam War. I leave it to others to investigate how these songs do or don’t dovetail with Newman’s own (rare) exploration of his own ethnic identity, which is treated most explicitly on the Land of Dreams album. What I’ll do, instead, is list a few reasons I’m thankful for Newman and his talent. I’m thankful that he loves a wide variety of American music, blues and jazz and ragtime and gospel and country. I’m thankful for the way he fuses melodic sophistication and lyrical intelligence, and for the fact that many of his songs are standards in their time thanks to the interpretations of brilliant singers like Dusty Springfield, Harry Nilsson, and Tim O’Brien. I’m thankful that he can be, within the span of a few songs, viciously sarcastic and unapologetically sentimental. And finally, I’m thankful that despite his erudition and eclecticism, he remains a disciple of one of the two or three most beautiful things in rock and roll, the Fats Domino triplet.